The talented organizer of time, people and writing, Luc Reid interviewed me on how I put tension into Tiger Lily.

“That’s how to to be a constantly interrupted, short-attention span writer: be willing to change ideas mid-scene (no matter how painful) if the romance suddenly dies, and also put your butt in the chair and write even if you’re not sure where your characters are going. You can always fix it later.”

Go read it if you have a sec. I talk to myself.